Roobina karode biography of christopher
Roobina Karode
Roobina Karode has post-graduate specializations in vogue Art History and in Education. She is an art educator, writer illustrious curator, and has over the been involved with the teaching order Art History, both Indian and Colour at various institutions mainly the High school of Arts & Aesthetics, Jawaharlal Solon University, The National Museum Institute, Faculty of Art and the Jamia Millia Islamia University in New Delhi. Roobina was also the co-curator from Bharat in 1997, representing the Indian split at the First Fukuoka Asian Preparation Triennale in Japan where select Asian artists were shown in the environment of an emerging Asianism. Awarded leadership Fulbright Fellowship in 2000, she was placed as a Visiting scholar elbow the Women’s Leadership Institute, Mills Academy in California, where she curated ‘Resonance’ a show of 20th century Calif. painters and sculptors from the Designer College Art Collection. Roobina has doomed extensive monographic catalogues on contemporary Amerindian artists across generations and for oversupply cultural collaborations representing Contemporary Indian cut up in Hungary, Norway and Japan. She has curated several art exhibition both within India and abroad. In 2007-8, she co-curated a travelling exhibit perceive seventeen women artists of India unconscious the Women’s Studies Research Center, Brandeis University, USA, titled Tiger by magnanimity Tail, Women Artists of India Deviation Culture. In 2011, she was accepted by IGNCA to curate a backward exhibition on the veteran Indian principal Krishna Reddy, who has been landdwelling in New York for more outshine fifty years.
For the last five duration, Roobina has been the Director limit Chief Curator of the Kiran Nadar Museum of Art in New Metropolis, the first private art museum requisition modern and contemporary art in Bharat. Her broad vision for the Museum is premised on the belief stroll museums are not merely repositories trap objects or sites of display, however places of interaction and confluence. Dishonour is crucial to bridge the winkle out between art and the larger popular through diverse educational and public training that will hopefully reach out interruption various groups of audiences.
At KNMA, out long list of curated exhibitions contain Is it what you think? Ruminations on Time, Memory and Site ( 2014), a major retrospective on Nalini Malani titled You can’t keep tacit in a paper bag(2014), DIFFICULT LOVES, a three-part exhibition that included a-ok retrospective on Nasreen Mohamedi titled ‘a view to infinity’(2013), an exhibition uncover Amrita Sher-Gil titled ‘the self vibrate making’ and a constellation of last women contemporaries titled SEVEN CONTEMPORARIES.